It gets a bit complicated so I won't go into all that now, but I've always found the process by which a painting comes into the world a fascinating one. Often the end result is quite unlike what I first thought of, and I've noticed that while my 'manager' mind is busy grappling with layout and light and shadow and so on something else is busy with its own project in the background, and very often this reflects what's going on in my inner life.
The end product of this dance might be something I'm unable to explain, just a feeling that comes off the canvas, and one of the fulfilling things about this artist gig is that it's this inexplicable feeling that people respond to, even when it seems to be quite dark.

One of the themes I've been toying with in the last while is rock art or cave painting. I've done one piece in that style but found it so unlike my other work that it took some time to realise that I could add nothing more because it was in fact finished. So the line of animals here is that thread looking for a way to come to the main party.

The horse at the far left is my homage to the ancient genius of Lascaux, but the rest are drawn from little sketches I did deliberately without using reference, as would have been the case then. I'm interested in the animal above the first horse as its head suggests Thoth, the ibis-headed god of ancient Egypt.

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